In Runers, you’re given a lot more control over your origins before you enter your PDL (permadeath labyrinth). You picked one of a set of premade characters and off you go, with your major choices being whether or not to grab a particular item. The Binding of Isaac focused almost entirely on item and level generation for the customization aspect of the game. It’s a dungeon crawler through and through, like The Binding of Isaac, but without all the disturbing “undertones”. As such, the game sports an almost juvenile look-not adolescent (awkward or intentionally crude), but rather seems unassuming and nonthreatening (which isn’t the case in the least). It’s a far cry from a big-budget project, and as an indie it didn’t fall into the trap of trying to appeal solely to nostalgia for value. The game is trickier than you might think, you see. To my knowledge so far, these entries are specific to a particular floor, so I imagine a narrative will emerge as you progress through the game, but I’ve been woefully unable to make it past the third floor. As every floor loads, all you really get are vague journal-esque quotes about losing something (which happens to be referred to with feminine pronouns). The narrative is sparse at best, but isn’t really the focal point of the experience, and I don’t feel as though the game suffers in any way because of it. I’m happy to announce that this is perfectly possible, and rather enjoyable, in Runers, a top-down roguelike that’s heavy on the customization.Īs the debut title from Let’s Get Kraken games, Runers is a clear child of tabletop persuasions. While a far cry from actually casting spells, we all know that true joy can stem from putting together the base components of magic and achieving fantastic results.

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